Kamis, 15 Agustus 2013

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  • Published on: 2009-04-01
  • Binding: Hardcover

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Senin, 12 Agustus 2013

[R573.Ebook] Ebook The Oxford Dictionary of Nursery RhymesFrom Oxford University Press

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The Oxford Dictionary of Nursery RhymesFrom Oxford University Press

Here is a brand new edition of the classic anthology of nursery rhymes--over 500 rhymes, songs, nonsense jingles, and lullabies traditionally handed down to young children. Included are all of your favorites, ranging from "Yankee Doodle Came to Town" and "A Frog He Would A-Wooing Go" to "Baa, Baa, Black Sheep," Jack and Jill" and "Old Mother Hubbard." And complementing the rhymes are nearly a hundred illustrations, including reproductions of early art found in ballad sheets and music books, which highlight the development of children's illustrations over the last two centuries.

With each piece, Iona and Peter Opie introduced a wealth of information, noting the earliest known publications of the rhyme, describing how it originated, illustrating changes in wording over time, and indicating variations and parallels in other languages. Moreover, in the general introduction, the Opies discuss the different types of rhyme and the earliest published collections, and they address such questions as who was Mother Goose and whether or not individual rhymes originally portrayed real people. For this second edition, the notes have been updated and extended in light of recent scholarship, providing an unrivaled wealth of literary and bibliographic information.

The Oxford Dictionary of Nursery Rhymes is now more than ever an indispensable reference source for scholars and book collectors as well as a volume to be treasured by parents and children alike.

  • Sales Rank: #334015 in Books
  • Brand: Oxford University Press
  • Published on: 1997-03-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.80" h x 1.90" w x 8.40" l, 1.86 pounds
  • Binding: Hardcover
  • 559 pages

About the Author

Iona Opie is a leading authority on children's lore and literature. With her late husband, Peter Opie, she wrote the pioneering study of children's culture, The Lore and Language of Schoolchildren. The Opies have also edited The Oxford Nursery Rhyme Book, and The Classic Fairy Tales.

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0 of 0 people found the following review helpful.
Great refenence material
By athena777
Book arrived quickly, it provided the information I was seeking, it's great.

32 of 34 people found the following review helpful.
A must for anyone interested in NRs and their origin
By A Customer
This is the seminal publication on nursery rhymes, IMO. The Opies have been collecting information about nursery rhymes for more than 50 years. The second edition of their OD of NR was published last year (1997) and is greatly updated on the first. It includes indepth analysis of over 550 nursery rhymes. I've been unable to find a NS of my knowledge that isn't included in there.
It makes a great present for a new-born, or his/her parents more like!

32 of 44 people found the following review helpful.
Getting dated.
By A Customer
This is the second edition, published in 1997, of the original Oxford Dictionary of Nursery Rhymes, also by Iona and Peter Opie, which appeared in 1951. The Preface to the Second Edition explains that the authors gathered many new references over the intervening four decades, and thanks several correspondents for still further additions and corrections. There is, consequently, much more information in the apparatus of the newer edition. However, the revisions are not thorough enough; I still get the sense that I am reading a book put together in the years after World War II.
For one thing, the Introduction appears to have been completely untouched; there are no references to any publication after 1951 (with the exception of references to two recent compilations by the Opies), and most date from the 1940's (for example, the reference on p. 3 to "two admirable Presidential Addresses by Lord Raglan to the Folk-Lore Society, 20 Mar. 1946, and 5 Mar. 1947"). Moreover, the discussion evinces a strange English elitism that may have seemed conventional six decades ago, but has not worn well with time. For example, the Opies seem to consider it a great fillip to the status of nursery rhymes that some of them can be shown to have been written by respected members of the English upper class; but we would consider these figures second or third-rate authors today (for example, Sir Charles Sedley). Also, there is too much blue-blooded in-group banter; for example, under "Bo Peep," one finds this assertion: "it is on record that in his early days Irving played the part of the wolf in Little Bo-Peep at Edinburgh." OK, who is Irving? If you want your book to be read by the generations that succeed you, you must not make allusions that are comprehensible only to your peers and coevals.
Finally, the book is unnecessarily difficult to use. I STILL cannot find "Pop Goes the Weasel" in here; either I am an idiot or the indices are inadequate. I think the latter.

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Rabu, 07 Agustus 2013

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  • Published on: 1705
  • Binding: Paperback

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Senin, 05 Agustus 2013

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This collection shows the importance of a comparative European framework for understanding developments in the popular press and journalism between the wars. This was, it argues, a formative and vital period in the making of the modern press. A great deal of fine scholarship on the development of modern forms of journalism and newspapers in the nineteenth and twentieth centuries has emerged within discrete national histories. Yet in bringing together essays on Britain, France, Germany, Italy and Poland, this book discerns points of convergence and divergence, and the importance of the European context in shaping how news was defined, produced and consumed.

Challenging the tendency of histories of the press to foreground processes of ‘Americanisation’ and the displacement of older notions of the ‘fourth estate’ by new forms of human interest journalism, the chapters draw attention to the complex ways in which the popular press continued to be politicized throughout the interwar period. Building on this analysis, the book examines the forms, processes and networks through which newspapers were produced for public consumption. In a period of massive social, political and economic upheaval and conflict, the popular press provided a forum in which Europe’s meanings and nature could be constructed and contested. The interpersonal, material and technological links between newspapers, news corporations and news agencies in different countries served to define the outlines of Europe. Europe was called into being through the circulation of news and the practices and networks of the modern mass press traced in this volume. This publication is highly relevant to scholars of the history of journalism and cultural historians of interwar Britain and Europe.

This book was originally published as a special issue of Journalism Studies.

  • Sales Rank: #8233462 in Books
  • Published on: 2014-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .60" w x 6.90" l, .95 pounds
  • Binding: Hardcover
  • 154 pages

About the Author

Sarah Newman has recently completed her doctorate The Celebrity Gossip Column and Newspaper Journalism in Britain, 1918-1939 at Linacre College, University of Oxford, UK. Her research interests lie in the social and cultural history of twentieth-century Britain, particularly the history of newspaper journalism, popular print and celebrity culture.

Matt Houlbrook is Senior Lecturer in Modern British History at the University of Birmingham, UK. He works on the cultural history of 20th century Britain, with particular interests in gender, sexuality and selfhood. He is the author of Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-57 and is currently finishing a book called The Prince of Tricksters: Cultures of Confidence in Interwar Britain.

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0 of 0 people found the following review helpful.
Like it - very relevant
By Artsy
The Press and the Popular Culture in Interwar Europe helps to understand developments in the pop press and journalism between the wars. It draws attention to the ways in which the pop press continued to be politicized. Worth reading and keeping for the future reference!

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Minggu, 04 Agustus 2013

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Fiasco: The Inside Story of a Wall Street Trader, by Frank Partnoy

FIASCO is the shocking story of one man's education in the jungles of Wall Street. As a young derivatives salesman at Morgan Stanley, Frank Partnoy learned to buy and sell billions of dollars worth of securities that were so complex many traders themselves didn't understand them. In his behind-the-scenes look at the trading floor and the offices of one of the world's top investment firms, Partnoy recounts the macho attitudes and fiercely competitive ploys of his office mates. And he takes us to the annual drunken skeet-shooting competition, FIASCO, where he and his colleagues sharpen the killer instincts they are encouraged to use against their competitiors, their clients, and each other.

FIASCO is the first book to take on the derivatves trading industry?the most highly charged and risky sector of the stock market. More importantly, it is a blistering indictment of the largely unregulated market in derivatives and serves as a warning to unwary investors about real fiascos, which have cost billions of dollars.

  • Sales Rank: #382752 in Books
  • Color: Multicolor
  • Published on: 1999-02-01
  • Released on: 1999-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .60" w x 5.10" l, .53 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Frank Partnoy is the author of Infectious Greed and The Match King. He has written for the Financial Times, the New York Times, and Portfolio. He teaches law at the University of San Diego, where he lives.

Most helpful customer reviews

41 of 43 people found the following review helpful.
A Few good parts, A Few bad ones, Overall worth reading
By Amazon Customer
There are several very interesting parts of this book, the most notable being the chapters (4, 7 - 10) in which Mr. Partnoy gives a high level description of some of the transactions that he was involved in. Some of his anecdotes, particularly those in which he discusses the atmosphere in an investment bank around bonus time (pg.40 - 42, 202 - 205), are pretty amusing and dead on accurate. The author's descriptions of some of his deals are clearly told from a junior banker's perspective, but they do a good job of putting forth what was being done, how it was being done, what everyone's perceived incentives for the transaction were, the work required to get the deal done, what kind of money, and importantly what kind of fees were involved. In this regard, the book offers more than both "Liar's Poker" by Lewis and "When Genius Failed" by Lowenstein.
Like all books written by former investment bankers the book contains liberally sprinkled anecdotes regarding job interviews from hell, the ridiculous daily escapades that can occur on a trading floor, strip clubs, the lack of personal lives, gambling trips and other stories which could easily have been pulled from the pages of Mr. Lewis's book or "Monkey Business" by Rolfe and Troob. All of these shenanigans culminate around the bank's (in this case Morgan Stanley), or more specifically, his group's annual sporting clay outing, FIASCO. The book also suffers from a somewhat poorly defined timeline and the lack of a defining event which drives the story. Due to these faults, it is at times little more than a book about the evils of investment bankers, the ignorance of their customers, all put forward to enforce Mr. Partnoy's somewhat guarded thesis; Derivatives are used by organizations that are legally prevented from investing in certain areas in order to skirt those laws.
This is a good book that could have been better, the occasions where it shine through make it worth reading, but also unfortunately let us know the author could have produced a somewhat better product.

24 of 25 people found the following review helpful.
The funniest, most enjoyable book I've read in a long time
By Tim Triche, Jr. (jabbo@yahoo.com)
My younger brother has decided that business is highly amusing, and after reading this book of his, I have to agree. A while back, I picked up and studied a mathematical book on finance (_Investment Science_, by Luenberger, if you're interested; quite good) that covered pricing, immunization strategies, lattices, the Black-Scholes equation for options valuation, and other aspects of modern finance. So I had a decent feel for what derivatives *are* prior to reading this book. However...
I can't remember the last time I laughed out loud at a book on such an ostensibly dry subject. Partnoy has an amazingly dry, amoral, detached style of narration that only adds to the surreal quality of the book. He is a gifted writer; I plowed through this absorbing read in the course of a little over a day. I have since started simply buying copies for my friends, since my original strategy of buying one floating copy has failed -- it never returned.
Especially if you are investing for yourself, but even if you are just looking for an engrossing book to pass the time, buy a copy of this book and give it to a friend when you're done. It's hysterical, disturbing, unsettling, and superb.

23 of 27 people found the following review helpful.
Supercharged, Super Leveraged and Super Lethal
By Kevin Kingston
I love starting a review with a few memorable quotes because if you read the book the quotes will bring it all back no matter how long its been since you read it, and if you did not read the book and are intrigued by the quotes you'll buy it on the spot (at least I do). So here it goes:

Pg. 126 Frank quotes Warren Buffett, "If you don't know who the sucker is, it is you".

Pg. 130 Quoting another bond salesman, "Let me tell you something, If a bond can not be sold with two hockey tickets and a good bottle of wine, the bond can not be sold"

Pg. 176 "The involvement of European issuers seemed fitting. The first active derivatives market had opened in Europe in 1688, when traders on the Amsterdam Stock Exchange began writing derivative contracts...Derivatives were returning home"

Pg. 182 Talking about Mexican Banks, "They craved risk...they wanted to gamble. They wanted, they demanded, "leverage"-the ability to borrow to take on greater risk"

Pg 205 "Out of curiosity I asked everyone what other jobs they would be willing to take instead of their current jobs at Morgan Stanley if the pay remained the same...Would you rather work at McDonalds or at Morgan Stanley? For the same pay - McDonalds, without a doubt...Shoveling manure or Morgan Stanley? Manure sounded pretty good to everyone."

Pg 226 Talking about packaging a product for the purpose of creating an illusion of a gain, which happens to create the largest fee's ever ($75 million), "Of the $571 million, the investor immediately realized a huge gain, roughly $400 million."

- This was a totally smoke and mirrors gain done strictly for the purpose beefing up returns.

Pg. 247 At the end of his 3 year stint on the Street, "I now believed everything was a fraud, and I had a well founded basis for my beliefs. Derivatives were a fraud, investment banking was a fraud, the Mexican and the Japanese financial systems were frauds..."

Epilogue Pg 251 "What lessons did I draw from my experience selling derivatives? I believe derivatives are the most recent example in the history of finance: Wall Street bilks Main St."

Pg 252 "Could a $70,000-a-year Securities and Exchange Commission investigator ever catch a $700,000-a-year derivatives salesman?"

Pg. 256 "70% of derivatives professionals say they expect big losses in the coming year"

Pg 277 "If the SEC and the U.S. Attorney's office are busy prosecuting basic cases-insider trading, the mafia selling non-existent stocks-how can they possibly compete against the big boys, especially when the big boys are tucked away in Grand Cayman, protected by special tax legislation, insulated from disclosure requirements and hidden from the public view with a P.O. Box address?"

Charlie Munger, who is Warren Buffets partner in Berkshire Hathaway recommends this book highly. (See my other reviews and my blog for a complete list of his recommendations ( bloglines.com/blog/KevinKingston ). This book gives you a great understanding of the products that Wall Street firms are putting together and the reasons they are doing it. For example a LIBOR-Cubed Hedge and other supercharged, super leveraged and super dangerous, for those that don't understand them, which is most people. It also describes the frequency that even the packager, Morgan Stanley could not put a value on the complex derivative products.

By Kevin Kingston, Author of: A 20,000% Gain in Real Estate

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Titles:
Trumpet Tune by Henry Purcell
Trumpet Voluntary by Jeremiah Clarke
Wedding March by Richard Wagner
Entrance of the Queen of Sheba by G.F. Handel
Rondeau by Jean Joseph Mouret
Jesu Joy of Man's Desiring by Johann Sebastian Bach
Ave Maria by Franz Schubert
Air on the G String by Johann Sebastian Bach
Aria from Xerxes by G.F. Handel
Largo from The Four Seasons by Antonio Vivaldi
Liebestraum by Franz Liszt
Wedding March by Felix Mendelssohn

  • Sales Rank: #3387915 in Books
  • Model: LAT703136
  • Published on: 1997-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Sheet music

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7 of 7 people found the following review helpful.
Satisfied
By E. Wang
This package comes as 4 separate books for each instrument. The arrangement is written for an intermediate level. The actual written music is fairly large and easy on the eyes.

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  • Sales Rank: #2144005 in Books
  • Published on: 2009-08-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 10.24" h x 2.56" w x 8.27" l, .0 pounds
  • Binding: Hardcover
  • 6 pages

About the Author
J.M. Barrie was a Scottish novelist and playwright. Robert Sabuda is a leading children’s pop-up book artist and paper engineer. His recent books, such as those describing the stories of The Wonderful Wizard of Oz and Alice in Wonderland, have been well received and critically acclaimed.

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