Senin, 26 Agustus 2013

[T550.Ebook] Download PDF Psychology in Everyday Life & eBook, by David G. Myers

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Psychology in Everyday Life & eBook, by David G. Myers

Book by Myers, David G.

  • Sales Rank: #1360536 in Books
  • Brand: Brand: Worth Publishers
  • Published on: 2009-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .70" w x 8.90" l, 2.30 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By mazeyar
Great

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Kamis, 22 Agustus 2013

[S418.Ebook] PDF Ebook Classical Music For Dummies, by David Pogue, Scott Speck

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Classical Music For Dummies, by David Pogue, Scott Speck

The more you know about classical music, the more you love it. Now, thanks to Classical Music For Dummies, you can achieve a whole new level of insight into both the composers and the compositions that have made classical music one of the great accomplishments of humankind.

Classical Music For Dummies doesn't assume that you have a degree in musicology -- or even that you took a course in music appreciation. Rather, the multimedially gifted David Pogue and renowned conductor Scott Speck explain classical music in terms you can understand, and they describe musical elements so that you can hear them for yourself.

A reference you can dip into at any point, Classical Music For Dummies covers such topics as

  • The various forms that classical music takes -- from symphonies to string quartets
  • What goes on behind the scenes and on stage to fill a concert hall with great classical music
  • How to recognize, by sight and by sound, the many instruments that make up an orchestra
  • The nuts and bolts of classical music -- from rhythm to harmonic progression
Plus, Classical Music For Dummies comes complete with a CD containing over 60 minutes of masterpieces compiled especially for the book. The CD also includes a demo version of the Angel/EMI Classics For DummiesTM multimedia interface to try out on your Windows-based PC or Macintosh computer.

  • Sales Rank: #49406 in Books
  • Published on: 1997-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .76" w x 7.40" l, 1.32 pounds
  • Binding: Paperback
  • 384 pages

Amazon.com Review
In a time when school music classes (if they exist at all) teach their students the finer points of the themes from The Twilight Zone and Jaws instead of real music; when classical radio stations are converted to Lite Rock or switched to a "top 100" classical jukebox format; and when even churches increasingly favor banal "Jesus Is My Boyfriend"-style slop instead of Bach, Mozart, and Vaughn Williams, classical music may legitimately be seen as an endangered cultural species. Enter Scott Speck and David Pogue, who take out the unnecessary mystery, and offer an easy-to-swallow quickie education, ranging from Gregorian chants to contemporary composers such as John Adams and John Corigliano. If you can't tell an oboe from a bassoon, there's also a dandy guide to the instruments of the orchestra, and once you're through that information you'll know the difference between a concerto and a sonata. Best of all is the introduction to music theory, which actually makes a daunting subject seem easy. It's all supported by a helpful enhanced compact disc (it works in your CD-ROM drive; it plays on your stereo's CD player) containing more than an hour of representative musical tidbits from good EMI recordings. Although the tone is unremittingly flippant and the jokes are, for the most part, pretty bad, Classical Music for Dummies is one of the better works in this series, and really does provide a useful reference for a subject too often seen as arcane.

From Library Journal
Though musicians and other music lovers continue to lament the lack of classical music enthusiasts, their concern may have diminished somewhat over the last 25 years. The "Hooked on Classics" recording series, Peter Schickele (a.k.a. P.D.Q. Bach), the Three Tenors, and the movie Shine are but a few of the media phenomena that have popularized classical music. Lately, some authors have taken a lighthearted approach to the genre, hoping to make it less intimidating; Barry Scherer's delightful Bravo! A Guide to Opera for the Perplexed (LJ 11/15/96) is an example not to be overlooked. It does appear, however, that with these two books from IDG's ever-expanding "For Dummies" series, classical music has finally arrived. Orchestrator, synthesizer programmer, music copyist, and vocal arranger Pogue and symphony conductor Speck have collaborated to make musical facts fun to peruse. In some cases, the information may seem oversimplified, but novices will come away with a fairly good idea of the important composers, the main periods of music, the instruments, the conductors, the artists, when to applaud at a concert or opera, and even what to wear to a performance. Icons throughout pinpoint tips, advanced information, listening guides, when to use the accompanying CDs, and stories to use in conversations. Both books are recommended for public libraries.?Kathleen Sparkman, Baylor Univ. Lib., Waco, Tex.
Copyright 1997 Reed Business Information, Inc.

Review
"This book is the perfect way to go from dummy to expert in classical music!" —AndrĂ© Watts, Pianist

"Classical Music For Dummies should be the first book for anyone ages 5-105. Anyone from layperson to first-year conservatory music student should crack open this wonderfully diverse and enriching look into the world of classical music. I wish this book had been part of my beginning curriculum." —Tiny Kniffen, Principal Tubist, Indianapolis Symphony Orchestra

" Classical Music For Dummies engages the reader with its flawless pacing, humor, and wit. It is a 'classic' in its own right" —Barry Bowlus, classical music enthusiast

Most helpful customer reviews

35 of 36 people found the following review helpful.
The book to read to understand and enjoy classical music!
By A Customer
I've always loved all kinds of music but never really listened to or understood what's going on with classical music. This book was incredible. Just playing the CD that comes with the book and reading the section that walks you through each piece of music opened up a whole new world of music appreciation. With each piece they present possible interpretations of what the composer was actually trying to do/say. This combined with an explanation of the musical forms that they used make you realize that it's not just a random collection of musical phrases. There's very interesting things going on there! There's also a great history section covering all of the big names of classical music and there are plenty of musical recommendations to listen to throughout the book. This is just a great education in music (I've been a musician for 20 years and I still learned something!)

0 of 0 people found the following review helpful.
The free CD is wonderful and humor is very entertaining!
By Abby Warren
I bought this because I have been listening to classical music since I subscribed to Sirius XM and wanted to learn more about the music I am hearing and enjoying. Even though it is a topic I am interested in, I can imagine that simply reading about music could be dull. Not so with Classical Music for Dummies. Somehow they manage to get a lot of humor into the text of every one of these books making any topic fun to learn! I have purchased several For Dummies books, but this one especially has had my chuckling as I make my way through it. The 80 or so pages of the history of classical music and a short biography of all the most famous composers was exactly what I was hoping to get from a book on classical music. Knowing something about each ones adds quite a bit to the enjoyment of their compositions. The book came with a CD with selected pieces to illustrate several various forms of music. The pieces are absolutely beautiful and great start or addition to a classical collection. Chapter 5 guides you through the CD one musical piece at a time explaining how the composer put it together and what to expect from the piece. If you are considering buying a copy, I highly recommend it. The CD alone and the notes on it are well worth the price. And the humor makes for a few lovely and relaxing hours of reading.

36 of 38 people found the following review helpful.
humor overpowers the content
By C. Brown
You have to be careful with the Dummies series. Some authors use humor with discretion, others, as in this case, lard on so much humor that it gets in the way of learning and turns what should be a pleasure into an ordeal of extracting the useful information from the attempt at clever wise-cracks, puns and general satire.

Yes, there is information here if you are willing to work to get it, but a good 50% of the text is gratuitous laughs. There are other books, such as "The Classical Music Experience" by Jacobson, that treat the reader as someone intelligent who seeks to know rather than to be entertained.

The best advice is to go to the library and look in the music appreciation section. You'll find many superior alternatives to this book.

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Sabtu, 17 Agustus 2013

[T477.Ebook] Ebook Free In Defense of the Bush Doctrine, by Robert G. Kaufman

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In Defense of the Bush Doctrine, by Robert G. Kaufman

The terrorist attacks of September 11, 2001, shattered the prevalent optimism in the United States that had blossomed during the tranquil and prosperous 1990s, when democracy seemed triumphant and catastrophic wars were a relic of the past.President George W. Bush responded with a bold and controversial grand strategy for waging a preemptive Global War on Terror, which has ignited passionate debate about the purposes of American power and the nation's proper role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy of regime change in Iraq. The Bush Doctrine rests on two main pillars―the inadequacy of deterrence and containment strategies when dealing with terrorists and rogue regimes, and the culture of tyranny in the Middle East, which spawns aggressive secular and religious despotisms. Two key premises shape Kaufman's case for the Bush Doctrine's conformity with moral democratic realism. The first is the fundamental purpose of American foreign policy since its inception: to ensure the integrity and vitality of a free society "founded upon the dignity and worth of the individual." The second premise is that the cardinal virtue of prudence (the right reason about things to be done) must be the standard for determining the best practicable American grand strategy. In Defense of the Bush Doctrine provides a broader historical context for the post–September 11 American foreign policy that will transform world politics well into the future. Kaufman connects the Bush Doctrine and current issues in American foreign policy, such as how the U.S. should deal with China, to the deeper tradition of American diplomacy. Drawing from positive lessons as well as cautionary tales from the past, Kaufman concludes that moral democratic realism offers the most compelling framework for American grand strategy, as it expands the democratic zone of peace and minimizes the number and gravity of threats the United States faces in the modern world.

  • Sales Rank: #2627973 in Books
  • Brand: Brand: The University Press of Kentucky
  • Published on: 2007-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 6.00" l, 1.14 pounds
  • Binding: Hardcover
  • 264 pages
Features
  • Used Book in Good Condition

Review
"Kaufman's fine book is required reading for thoughtful candidates and citizens alike."―George Weigel, Catholic Exchange

"The best part of Kaufman's book is his critical analysis of alternatives, in U.S. grand strategy, to the Bush doctrine, whose moral democratic realism entails the prudent application of American power to replace dangerous regimes in the Middle East."―Library Journal (starred review)

"A very interesting book, based on a fresh concept of 'moral democratic realism,' that distinguishes Kaufman's work from that of Charles Krauthammer, William Kristol, Robert Kagan, Francis Fukuyama, and others. A helpful and clarifying book."―Michael Novak, coauthor of Washington's God and author of The Spirit of Democ

"In this excellent new book, Kaufman describes the Bush approach to foreign policy as the latest example of what he calls moral democratic realism, an approach he attributes to FDR, Truman, and Reagan as well."―National Review

"This is a very well-grounded defense of the Bush Doctrine. It is scholarly and political in the best sense of both terms. Those who disagree (as I do) will be challenged and informed."―Robert Jervis, author of American Foreign Policy in a New Era

"An important book about the central issue of our time."―Senator Joe Lieberman

"President Bush could use an unapologetic argument for his foreign policy these days, and this is it...[Kaufmann] makes a persuasive case."―The Weekly Standard

"Kaufman offers a much needed, well-reasoned defense of the present Bush doctrine in the Middle East. As Kaufman shows, for all the heartbreak in our present efforts in Iraq, ultimately it remains the best practical and moral course to foster some third way other than either autocracy or theocracy"―Victor Davis Hanson, author of A War Like No Other: How the Athenians and Spart

"Kaufman presents a thoughtful, comprehensive case. It ranks as the most histocially powerful support of Mr. Bush and his doctrine, including the Iraq war."―Washington Times

"The author has compiled, better than anywhere else that I have seen, a systematic explanation of the Bush Doctrine and its moral and historical foundations."―Modern Age, Ted V. McAllister

"Kaufman is passionate without being polemical, and is quite evenhanded, consistently pointing out arguments and examples that disagree with his point of view. This is a provocative book written by a first-rate mind."―John Robert Greene, Historian

"Robert Kaufman's short and provocative book provides and interesting and timely defense of what is perhaps become one of the most contentious concepts in international politics."―Andrew J. Futter, University of Birmingham, Political Studies Review

About the Author
Robert G. Kaufman, professor of public policy at Pepperdine University, is the author of numerous publications, including Henry M. Jackson: A Life in Politics. He is a former Bradley Scholar and current adjunct scholar at the Heritage Foundation.

Most helpful customer reviews

6 of 8 people found the following review helpful.
Solid explication of a particular point of view
By R. Henderson
Kaufman's book sets out to defend the "indefensible" and does a pretty good job of it. He answers some of the more common criticisms of the Bush Doctrine, all the while reminding us (as we are apt to forget) that the situation looked very different in 2002-2003 than it does now. He explores some of the alternatives to it, such as multilateralism, and reminds us with recourse to history (without any egregious examples of anecdotal cherry-picking) that most of them have serious drawbacks as well. Some of the book's strong points were also incident to its flaws; for instance in reminding us how the world looked in 2002-2003 he becomes wedded to an international and diplomatic snapshot that has since changed, namely our relationship with Germany and France after the succession of Merkel and Sarkozy, respectively. On the whole a solid and important book.

15 of 23 people found the following review helpful.
Bush Administration Talking Points With Citations
By Steven Metz
The easiest way to review this is via ideology. People favorably inclined toward Bush will like it; those who oppose him will hate it. But since the author elected to publish it with a university press, I'm going to assess it as a work of scholarship and analysis. On that count, it comes up woefully short. It is well-written but panglossian defense of the Bush strategy. I am amazed that the University Press of Kentucky, which is an up and coming academic publisher, produced it. It is most certainly not an academic work but a ideological polemic masquerading as scholarship as per Noam Chomsky or Chalmers Johnson. There is no critical analysis of the Bush strategy, but simply a legal brief asserting that is it the best of all possible approaches. The author develops caricatures or strawmen of alternative strategies and then demolishes them. For instance, on p. 129 he write, "As the lessons of history attest, critics are wrong to object to the Bush Doctrine because it does not defer categorically to the UN Security Council or to multilateralism as any guise as an end in itself." This is Rush Limbaugh discourse--invent a position that no serious person actually holds (who, exactly, advocates categorical deference to the UN Security Council?) then ridicule it.

Let me give just a couple of examples of Kaufman's selective use of history and double standards to sustain his partisan argument (there are many dozens more). On p. 120 he writes, "By the end of his administration, Ronald Reagan has shifted away from his initial inclinations to back America's right-wing allies unconditionally, as it became apparent in El Salvador, the Philippines, Korea, and Chile that liberal democracy was a plausible alternative to either authoritarianism or communism." In reality, it was the Democratically controlled Congress that forced Reagan to push for democracy in these places, not some personal epiphany.

Second, Kaufman excoriates Clinton for not preventing the genocide in Rwanda (although failing to mention that in 2000 candidate Bush explicitly said he would not have used the U.S. military in Rwanda had he been president). Alan Kuperman has demonstrated that even had Clinton moved immediately once he was aware genocide was underway, it would only have had a limited effect, so I have to assume that Kaufman's criticism is because Clinton did not act in advance to prevent the killing. But in anything other than a hagiography, if Clinton deserve blame for not being prescient in Rwanda--a place with very limited American attention or involvement--then Bush deserves even greater criticism for for not anticipating the emergence of armed resistance in Iraq and taking steps to limit or prevent it (such as an infusion of a large number of troops and implementation of an effective reconstruction program in 2003). Kaufman does suggest "we [sic] should have anticipated better" in Iraq when, in fact, those who did anticipate better were attacked by the administration. Even after this mousy criticism, Kaufman goes to great lengths to make the ridiculous argument that even though "we" didn't anticipate better, it wasn't a big deal anyway since more Americans died in the world wars and the Civil War than in Iraq! At that point, I could no longer take the book seriously. It was, from the start, a blend of propaganda and scholarship. Since I assume the author does actually understand that the criterion for judging strategy is not the aggregate lives lost, but whether the benefits justified the costs, I have to believe that along the way he elected to jettison the veneer of scholarship and shift purely into propaganda.

Perhaps the most pressing conceptual flaw in the work is its disregard for the role of culture. The author uses the spread of liberal democracy to Eastern Europe, Latin America, and the Pacific rim as evidence of its universality and hence as support for the idea that it should be the cornerstone of American strategy. What that overlooks is the idea that liberal democracy can only develop stable roots in Western, Western-influenced, or Confucian cultures. Kaufman reiterates the Bush idea that Islamic violence is caused by the "insidious interaction of poverty, brutality, and oppression" rather than deep flaws in a culture which create unstable, uncompetitive states and then seeks external scapegoats for the ensuing failure. Unless the United States is willing to alter this culture--and nothing in the Bush strategy is designed to do that--the violence will persist.

Since Kaufman's book is a defense of the Bush strategy rather than an analysis of it, the author does not address the real criticisms of that strategy. For instance, rather than dealing with the question of whether liberal democracy is feasible in Islamic cultures, Kaufman simply demonstrates that it would be a good idea. To counter the criticism that Islamic culture is not fertile ground for liberal democracy, Kaufman, like Bush administration spokesmen, simply points to post World War II Germany and Japan. But, like the administration, he does not address the valid criticism that the Bush approach to Iraq and Afghanistan has not, in fact, followed the Germany-Japan model. Rather than a massive and protracted occupation while the foundation for democracy was built, the administration has sought democratization on the cheap. Kaufman cannot have it both ways--arguing that the post-war occupation of Germany and Japan validate the feasibility of a method while defending the Bush approach which did not replicate that method.

In most places, Kaufman simply re-asserts Bush administration talking points, taking them at face value. There are dozens of examples. In justifying the intervention in Iraq, he writes (p. 140)that "victory" there will "keep terrorists on the run by depriving them of the sanctuary of a rogue regime." While ideas like that are the standard stock of talk radio, Kaufman ignores the fact that Hussein was a very minor provider of sanctuary to transnational terrorists and whatever system emerges in Iraq--be it a fragile democracy, a fragmented state, a militia-dominated quasi-state, or some new authoritarian system--is much more likely to provide sanctuary to terrorists, either deliberately or by virture of its inability or unwillingness to fully control its own territory. Kaufman also lauds Libya's decision to abandon its nuclear program as validation of Bush's strategy of regime change and democratization without noting that Qaddafi's decision was a result of decades of sanctions, not anything Bush did. He attributes democratic reforms in Lebanon to Bush even though, in reality, democracy in that country is decades old (and floundered during the Reagan administration). He accepts without question the flawed assumption of the Bush strategy that democratization in the Islamic world will limit anti-American militancy. And, like the Bush administration itself, he does not grapple with the fact that Islamic violence in Spain and the U.K. refutes the connection between democracy and terrorism.

Ultimately readers looking for a balanced and rigorous analysis of the Bush strategy will be disappointed by the book. Bush supporters looking for intellectual ammunition to defend the administration will find it useful.

8 of 12 people found the following review helpful.
about time we had an informative, cogent explanation of the Bush policy
By Sarah Hart
I am most of the way through this book and have been impressed by its clear, readily understood prose and its straight-to-the-point sentences explaining the various foreign policies that the U.S. has embraced and the proofs of their failure or success with the reasons why. Naming and explaining one by one the foreign policy schools of thought and their proponents, as the author does in the first part of the book, was helpful in placing the current Bush doctrine in an historic context. The author then describes the Bush policy as, on the one hand, vigorous encouragement of the growth of stable, liberal democracies -- because stable, liberal democracies historically do not fight each other -- and, on the other hand, vigorous opposition to totalitarian regimes that deny freedom to their oppressed populations -- because oppressive regimes historically have defiantly ignored negotiated agreements of peace. Ironic that this book is available just as the tide of our miltary success in Iraq and public opinion at home and abroad is seen to be turning. Short and important, this book should be on everyone's coffee table.

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  • Published on: 2009-04-01
  • Binding: Hardcover

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[R573.Ebook] Ebook The Oxford Dictionary of Nursery RhymesFrom Oxford University Press

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The Oxford Dictionary of Nursery RhymesFrom Oxford University Press

Here is a brand new edition of the classic anthology of nursery rhymes--over 500 rhymes, songs, nonsense jingles, and lullabies traditionally handed down to young children. Included are all of your favorites, ranging from "Yankee Doodle Came to Town" and "A Frog He Would A-Wooing Go" to "Baa, Baa, Black Sheep," Jack and Jill" and "Old Mother Hubbard." And complementing the rhymes are nearly a hundred illustrations, including reproductions of early art found in ballad sheets and music books, which highlight the development of children's illustrations over the last two centuries.

With each piece, Iona and Peter Opie introduced a wealth of information, noting the earliest known publications of the rhyme, describing how it originated, illustrating changes in wording over time, and indicating variations and parallels in other languages. Moreover, in the general introduction, the Opies discuss the different types of rhyme and the earliest published collections, and they address such questions as who was Mother Goose and whether or not individual rhymes originally portrayed real people. For this second edition, the notes have been updated and extended in light of recent scholarship, providing an unrivaled wealth of literary and bibliographic information.

The Oxford Dictionary of Nursery Rhymes is now more than ever an indispensable reference source for scholars and book collectors as well as a volume to be treasured by parents and children alike.

  • Sales Rank: #334015 in Books
  • Brand: Oxford University Press
  • Published on: 1997-03-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.80" h x 1.90" w x 8.40" l, 1.86 pounds
  • Binding: Hardcover
  • 559 pages

About the Author

Iona Opie is a leading authority on children's lore and literature. With her late husband, Peter Opie, she wrote the pioneering study of children's culture, The Lore and Language of Schoolchildren. The Opies have also edited The Oxford Nursery Rhyme Book, and The Classic Fairy Tales.

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0 of 0 people found the following review helpful.
Great refenence material
By athena777
Book arrived quickly, it provided the information I was seeking, it's great.

32 of 34 people found the following review helpful.
A must for anyone interested in NRs and their origin
By A Customer
This is the seminal publication on nursery rhymes, IMO. The Opies have been collecting information about nursery rhymes for more than 50 years. The second edition of their OD of NR was published last year (1997) and is greatly updated on the first. It includes indepth analysis of over 550 nursery rhymes. I've been unable to find a NS of my knowledge that isn't included in there.
It makes a great present for a new-born, or his/her parents more like!

32 of 44 people found the following review helpful.
Getting dated.
By A Customer
This is the second edition, published in 1997, of the original Oxford Dictionary of Nursery Rhymes, also by Iona and Peter Opie, which appeared in 1951. The Preface to the Second Edition explains that the authors gathered many new references over the intervening four decades, and thanks several correspondents for still further additions and corrections. There is, consequently, much more information in the apparatus of the newer edition. However, the revisions are not thorough enough; I still get the sense that I am reading a book put together in the years after World War II.
For one thing, the Introduction appears to have been completely untouched; there are no references to any publication after 1951 (with the exception of references to two recent compilations by the Opies), and most date from the 1940's (for example, the reference on p. 3 to "two admirable Presidential Addresses by Lord Raglan to the Folk-Lore Society, 20 Mar. 1946, and 5 Mar. 1947"). Moreover, the discussion evinces a strange English elitism that may have seemed conventional six decades ago, but has not worn well with time. For example, the Opies seem to consider it a great fillip to the status of nursery rhymes that some of them can be shown to have been written by respected members of the English upper class; but we would consider these figures second or third-rate authors today (for example, Sir Charles Sedley). Also, there is too much blue-blooded in-group banter; for example, under "Bo Peep," one finds this assertion: "it is on record that in his early days Irving played the part of the wolf in Little Bo-Peep at Edinburgh." OK, who is Irving? If you want your book to be read by the generations that succeed you, you must not make allusions that are comprehensible only to your peers and coevals.
Finally, the book is unnecessarily difficult to use. I STILL cannot find "Pop Goes the Weasel" in here; either I am an idiot or the indices are inadequate. I think the latter.

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Rabu, 07 Agustus 2013

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  • Published on: 1705
  • Binding: Paperback

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This collection shows the importance of a comparative European framework for understanding developments in the popular press and journalism between the wars. This was, it argues, a formative and vital period in the making of the modern press. A great deal of fine scholarship on the development of modern forms of journalism and newspapers in the nineteenth and twentieth centuries has emerged within discrete national histories. Yet in bringing together essays on Britain, France, Germany, Italy and Poland, this book discerns points of convergence and divergence, and the importance of the European context in shaping how news was defined, produced and consumed.

Challenging the tendency of histories of the press to foreground processes of ‘Americanisation’ and the displacement of older notions of the ‘fourth estate’ by new forms of human interest journalism, the chapters draw attention to the complex ways in which the popular press continued to be politicized throughout the interwar period. Building on this analysis, the book examines the forms, processes and networks through which newspapers were produced for public consumption. In a period of massive social, political and economic upheaval and conflict, the popular press provided a forum in which Europe’s meanings and nature could be constructed and contested. The interpersonal, material and technological links between newspapers, news corporations and news agencies in different countries served to define the outlines of Europe. Europe was called into being through the circulation of news and the practices and networks of the modern mass press traced in this volume. This publication is highly relevant to scholars of the history of journalism and cultural historians of interwar Britain and Europe.

This book was originally published as a special issue of Journalism Studies.

  • Sales Rank: #8233462 in Books
  • Published on: 2014-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .60" w x 6.90" l, .95 pounds
  • Binding: Hardcover
  • 154 pages

About the Author

Sarah Newman has recently completed her doctorate The Celebrity Gossip Column and Newspaper Journalism in Britain, 1918-1939 at Linacre College, University of Oxford, UK. Her research interests lie in the social and cultural history of twentieth-century Britain, particularly the history of newspaper journalism, popular print and celebrity culture.

Matt Houlbrook is Senior Lecturer in Modern British History at the University of Birmingham, UK. He works on the cultural history of 20th century Britain, with particular interests in gender, sexuality and selfhood. He is the author of Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-57 and is currently finishing a book called The Prince of Tricksters: Cultures of Confidence in Interwar Britain.

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0 of 0 people found the following review helpful.
Like it - very relevant
By Artsy
The Press and the Popular Culture in Interwar Europe helps to understand developments in the pop press and journalism between the wars. It draws attention to the ways in which the pop press continued to be politicized. Worth reading and keeping for the future reference!

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Fiasco: The Inside Story of a Wall Street Trader, by Frank Partnoy

FIASCO is the shocking story of one man's education in the jungles of Wall Street. As a young derivatives salesman at Morgan Stanley, Frank Partnoy learned to buy and sell billions of dollars worth of securities that were so complex many traders themselves didn't understand them. In his behind-the-scenes look at the trading floor and the offices of one of the world's top investment firms, Partnoy recounts the macho attitudes and fiercely competitive ploys of his office mates. And he takes us to the annual drunken skeet-shooting competition, FIASCO, where he and his colleagues sharpen the killer instincts they are encouraged to use against their competitiors, their clients, and each other.

FIASCO is the first book to take on the derivatves trading industry?the most highly charged and risky sector of the stock market. More importantly, it is a blistering indictment of the largely unregulated market in derivatives and serves as a warning to unwary investors about real fiascos, which have cost billions of dollars.

  • Sales Rank: #382752 in Books
  • Color: Multicolor
  • Published on: 1999-02-01
  • Released on: 1999-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .60" w x 5.10" l, .53 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Frank Partnoy is the author of Infectious Greed and The Match King. He has written for the Financial Times, the New York Times, and Portfolio. He teaches law at the University of San Diego, where he lives.

Most helpful customer reviews

41 of 43 people found the following review helpful.
A Few good parts, A Few bad ones, Overall worth reading
By Amazon Customer
There are several very interesting parts of this book, the most notable being the chapters (4, 7 - 10) in which Mr. Partnoy gives a high level description of some of the transactions that he was involved in. Some of his anecdotes, particularly those in which he discusses the atmosphere in an investment bank around bonus time (pg.40 - 42, 202 - 205), are pretty amusing and dead on accurate. The author's descriptions of some of his deals are clearly told from a junior banker's perspective, but they do a good job of putting forth what was being done, how it was being done, what everyone's perceived incentives for the transaction were, the work required to get the deal done, what kind of money, and importantly what kind of fees were involved. In this regard, the book offers more than both "Liar's Poker" by Lewis and "When Genius Failed" by Lowenstein.
Like all books written by former investment bankers the book contains liberally sprinkled anecdotes regarding job interviews from hell, the ridiculous daily escapades that can occur on a trading floor, strip clubs, the lack of personal lives, gambling trips and other stories which could easily have been pulled from the pages of Mr. Lewis's book or "Monkey Business" by Rolfe and Troob. All of these shenanigans culminate around the bank's (in this case Morgan Stanley), or more specifically, his group's annual sporting clay outing, FIASCO. The book also suffers from a somewhat poorly defined timeline and the lack of a defining event which drives the story. Due to these faults, it is at times little more than a book about the evils of investment bankers, the ignorance of their customers, all put forward to enforce Mr. Partnoy's somewhat guarded thesis; Derivatives are used by organizations that are legally prevented from investing in certain areas in order to skirt those laws.
This is a good book that could have been better, the occasions where it shine through make it worth reading, but also unfortunately let us know the author could have produced a somewhat better product.

24 of 25 people found the following review helpful.
The funniest, most enjoyable book I've read in a long time
By Tim Triche, Jr. (jabbo@yahoo.com)
My younger brother has decided that business is highly amusing, and after reading this book of his, I have to agree. A while back, I picked up and studied a mathematical book on finance (_Investment Science_, by Luenberger, if you're interested; quite good) that covered pricing, immunization strategies, lattices, the Black-Scholes equation for options valuation, and other aspects of modern finance. So I had a decent feel for what derivatives *are* prior to reading this book. However...
I can't remember the last time I laughed out loud at a book on such an ostensibly dry subject. Partnoy has an amazingly dry, amoral, detached style of narration that only adds to the surreal quality of the book. He is a gifted writer; I plowed through this absorbing read in the course of a little over a day. I have since started simply buying copies for my friends, since my original strategy of buying one floating copy has failed -- it never returned.
Especially if you are investing for yourself, but even if you are just looking for an engrossing book to pass the time, buy a copy of this book and give it to a friend when you're done. It's hysterical, disturbing, unsettling, and superb.

23 of 27 people found the following review helpful.
Supercharged, Super Leveraged and Super Lethal
By Kevin Kingston
I love starting a review with a few memorable quotes because if you read the book the quotes will bring it all back no matter how long its been since you read it, and if you did not read the book and are intrigued by the quotes you'll buy it on the spot (at least I do). So here it goes:

Pg. 126 Frank quotes Warren Buffett, "If you don't know who the sucker is, it is you".

Pg. 130 Quoting another bond salesman, "Let me tell you something, If a bond can not be sold with two hockey tickets and a good bottle of wine, the bond can not be sold"

Pg. 176 "The involvement of European issuers seemed fitting. The first active derivatives market had opened in Europe in 1688, when traders on the Amsterdam Stock Exchange began writing derivative contracts...Derivatives were returning home"

Pg. 182 Talking about Mexican Banks, "They craved risk...they wanted to gamble. They wanted, they demanded, "leverage"-the ability to borrow to take on greater risk"

Pg 205 "Out of curiosity I asked everyone what other jobs they would be willing to take instead of their current jobs at Morgan Stanley if the pay remained the same...Would you rather work at McDonalds or at Morgan Stanley? For the same pay - McDonalds, without a doubt...Shoveling manure or Morgan Stanley? Manure sounded pretty good to everyone."

Pg 226 Talking about packaging a product for the purpose of creating an illusion of a gain, which happens to create the largest fee's ever ($75 million), "Of the $571 million, the investor immediately realized a huge gain, roughly $400 million."

- This was a totally smoke and mirrors gain done strictly for the purpose beefing up returns.

Pg. 247 At the end of his 3 year stint on the Street, "I now believed everything was a fraud, and I had a well founded basis for my beliefs. Derivatives were a fraud, investment banking was a fraud, the Mexican and the Japanese financial systems were frauds..."

Epilogue Pg 251 "What lessons did I draw from my experience selling derivatives? I believe derivatives are the most recent example in the history of finance: Wall Street bilks Main St."

Pg 252 "Could a $70,000-a-year Securities and Exchange Commission investigator ever catch a $700,000-a-year derivatives salesman?"

Pg. 256 "70% of derivatives professionals say they expect big losses in the coming year"

Pg 277 "If the SEC and the U.S. Attorney's office are busy prosecuting basic cases-insider trading, the mafia selling non-existent stocks-how can they possibly compete against the big boys, especially when the big boys are tucked away in Grand Cayman, protected by special tax legislation, insulated from disclosure requirements and hidden from the public view with a P.O. Box address?"

Charlie Munger, who is Warren Buffets partner in Berkshire Hathaway recommends this book highly. (See my other reviews and my blog for a complete list of his recommendations ( bloglines.com/blog/KevinKingston ). This book gives you a great understanding of the products that Wall Street firms are putting together and the reasons they are doing it. For example a LIBOR-Cubed Hedge and other supercharged, super leveraged and super dangerous, for those that don't understand them, which is most people. It also describes the frequency that even the packager, Morgan Stanley could not put a value on the complex derivative products.

By Kevin Kingston, Author of: A 20,000% Gain in Real Estate

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Titles:
Trumpet Tune by Henry Purcell
Trumpet Voluntary by Jeremiah Clarke
Wedding March by Richard Wagner
Entrance of the Queen of Sheba by G.F. Handel
Rondeau by Jean Joseph Mouret
Jesu Joy of Man's Desiring by Johann Sebastian Bach
Ave Maria by Franz Schubert
Air on the G String by Johann Sebastian Bach
Aria from Xerxes by G.F. Handel
Largo from The Four Seasons by Antonio Vivaldi
Liebestraum by Franz Liszt
Wedding March by Felix Mendelssohn

  • Sales Rank: #3387915 in Books
  • Model: LAT703136
  • Published on: 1997-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Sheet music

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7 of 7 people found the following review helpful.
Satisfied
By E. Wang
This package comes as 4 separate books for each instrument. The arrangement is written for an intermediate level. The actual written music is fairly large and easy on the eyes.

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  • Sales Rank: #2144005 in Books
  • Published on: 2009-08-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 10.24" h x 2.56" w x 8.27" l, .0 pounds
  • Binding: Hardcover
  • 6 pages

About the Author
J.M. Barrie was a Scottish novelist and playwright. Robert Sabuda is a leading children’s pop-up book artist and paper engineer. His recent books, such as those describing the stories of The Wonderful Wizard of Oz and Alice in Wonderland, have been well received and critically acclaimed.

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